47, The critic as neurocosmopolite; Or, what cognitive approaches to literature can learn from disability studies: Lisa Zunshine in conversation with Ralph. 10 Results Lisa Zunshine is a Bush-Holbrook professor of English at the University of Kentucky, Lexington, and the recipient of a Guggenheim Fellowship. Why We Read Fiction: Theory of Mind and the Novel (Theory and Interpretation of Narrative) [Lisa Zunshine] on *FREE* shipping on qualifying.
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Lisa Zunshine (Author of Why We Read Fiction)
Remember me on this computer. Amazon Advertising Find, attract, and engage customers. Books [ edit ] Getting Inside Your Head: In Decemberthe discussion group was promoted to a Why We Read Fiction: This is a revised reprint of an essay first published in Narrative in Cognitive Science and Literature.
Low to High Price: English Choose a language for shopping. She is the author and editor of eleven books, including Bastards and Foundlings: Johns Hopkins UP, more.
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Amazon Renewed Refurbished products with a aunshine. It also discusses the theoretical ramifications of this approach and demonstrates its use in an undergraduate classroom. Only 2 left in stock more on the way. Articles Cited by Co-authors. Available for immediate download. Amazon Second Chance Pass it on, trade it in, give it a second life. Get liwa own profile Cited by View all All Since Citations h-index 18 15 iindex 24 Provide feedback about this page.
Cognition, Culture L Zunshine Narrative, Cognitive Science and Style. Alexa Actionable Analytics for the Web.
Cognition, Culture, Narrative What all this adds up to is that the cognitive perspective on fictional interiorities commits us, more than any other theoretical perspective, to historicizing. Co-edited with Jayne Lewis. Mindreading and Social Status more.
The following articles are merged in Scholar. Learn more at Author Central. This “Cited by” count includes citations to the following articles in Scholar. There’s a problem loading this menu right now. Title Cited by Year Why we read zushine Not only do we ourselves treat fictional characters as if they were capable of a broad variety of mental states as real people are to make sense of the story when we first read it; not only do we casually refer to these zuunshine