DURAND CLAUDE Debussy La Cathedrale Engloutie For Piano. Be the first to review this product. CA$ Out Of Stock. SKU. Catalog #: . Jiri Kylián’s ballet is set to a composition by Claude Debussy which was inspired by a fifteenth-century Breton legend. This tells how a cathedral was built on a. La cathédrale engloutie. (). by Claude A Debussy, Colin Matthews. Description: Debussy, orchestrated by Colin Matthews; Duration: 5; Genres: Full.
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Throughout all of this motivic repetition, transposition, and inversion, the themes longer phrases made up of the smaller motifs stay very much static, with only occasional elongation or shortening throughout the piece: The opening of the piece gently brings in the cathedral, out of the water, with a melody that resembles waves.
Klavierwerke, Band II pp. It also implies that this section is a mirror of one which came before, giving further support to the intro-ABA-outro structure.
Creative Commons Attribution-ShareAlike 4. Inexact parallelism can give a sense of tonality, while exact parallelism can dispel the sense of tonality as pitch content cannot be analyzed diatonically in a single key. Claude Debussy, piano complete Paris: Creative Commons Attribution-NonCommercial 4.
These chords bring to mind two things: Then after a section marked Augmentez progressivement Slowly growingthe cathedral emerges and the grand organ is heard with a powerful fortissimo. These file s are part of the Werner Icking Music Collection.
After three bars, it modulates to Eb pentatonic, continuing the same thematic idea, again for three bars. After lw beginning section, Debussy gently brings the cathedral out of the water by modulating to B major, shaping the melody in catthedrale wave-like fashion, and including important narrative instructions in measure The first chord of the piece is made up of sonorous Gs and Ds open fifths.
Interestingly, a statue of Gradlon still stands between the spires of the Cathedral of Saint Corentin in Quimper. Creative Commons Zero 1.
La Cathédrale Engloutie
It was arranged for orchestra by Leopold Stokowski as The Engulfed Cathedral and released in a recording in Contents 1 Performances 1. Please help improve this section by adding citations to reliable sources.
John Carpenter used it as sound track in his scifi movie Escape from New York. Cathevrale was a mythical city said to have been on the coast of Brittany Northwest France in the Bay of Douarnenez. It is characteristic of Debussy in its form, harmony, and content. Motif 1 is also heard in a soprano voice from measure To attain these effects that reflect images of the castle, most performers use specific techniques with regards to pedaling and articulation to affect tone color. The Thematic Process in Music.
This file is part of the Sibley Mirroring Project. In andClaude Debussy wrote a series of 12 preludes for solo piano. Moli, For example, some performers use their full cathedfale weight to depress keys to create a rich sound. In measure 13, the G idea returns for two bars. In this piece, Debussy composes the music using motivic development, rather than thematic development. He agreed to do so, but devoted father as he was, he tried to save his daughter.
La cathédrale engloutie
Cambridge University Press, Apparently a re-engraving of the Durand score above. Debussy uses the technique of parallelism also known as harmonic planing in his prelude to englouti the sense of direction motion found in prior traditional progressions. Isabella Stewart Gardner Museum. The high D in measures 1, 3, and 5; the soprano E octave that occurs 12 times from measures ; the high B in measures 14 and Debussy uses mainly pentatonic modesprimarily the mode C-D-E-G-A, moving this mode lq several tonics.
La Cathedrale engloutie 5: This file is based on high-resolution images obtained from the source using a method explained on this page. Editor Pierre Gouin – Contact.
Recorded by pianist Ivan Ilic in AprilParis. Performer Pages Paavali Jumppanen piano.
MP3 file catheedrale User: Motif 1 is heard on a broader scale in the bass notes dotted whole notes in measureshitting the notes of the motif in inversion and transposition on the down-beats of measures 1, 15, and 16 G-C-B. In the case of the two volumes of preludes, he places the title of the piece at the end of the piece, either to allow the pianist to respond intuitively and individually to the music before finding out what Debussy intended the music to sound like, or to apply more ambiguity to the music’s allusion.
A quintessential example of musical impressionismthe piece depicts the rise of a cathedral from the water and subsequent return to the depths — complete with bells chiming, priests chanting, and organ playing.
Knopf, Another version says that Dahut steals the key to pa her secret lover in to the city during the night, mistakenly flooding the city.