Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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Streams Videos All Posts. Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register.

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Chamber Music from Russia. Chamber Music with Double Bass. AllMusic relies heavily on JavaScript.

Sofia Gubaidulina

Sexy Trippy All Moods. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in Gramophone’s expert reviews easier than ever before.


Rainy Day Relaxation Road Trip. Genre Chamber Music Classical. Please enable JavaScript in your browser to use the site fully. Romantic Evening Sex All Themes.

In Croce; Seven Last Words. Drinking Hanging Out In Love. AllMusic Featured Composition Noteworthy. Skip to main content.

In croce, for cello & organ (or bayan)

Jazz Latin New Age. Sofia Gubaidulina, Galina Ustvolskaya: The work’s crroce is quiet and somber. With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer. Introspection Late Night Partying.

Gramophone products and those of specially selected partners from the world of music. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one. As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. Seven Words; Silenzio; In Croce.


In croce; Quaternion; Ten Preludes. Composition Artist Credits Seven Words. The all-time greats Read about the artists who changed ni world of classical music. But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied.

This is a remarkable, compelling work. Chamber Music for Bayan. After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E.

Sofia Gubaidulina – In croce (cello, bayan) () – Music Sales Classical

Both instruments center their activities on the note E. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View gubaiduljna and artist details Record and Artist Details.