Arcangelo Corelli (–) was one of the most sought-after violin teachers in Italy and his pupils included Castrucci, Gasparini, Geminiani, Bonporti and. Arcangelo Corelli, Ensemble Fitzwilliam – Corelli: La Follia – Music. The final work following eleven sonatas in Corelli’s opus has the theme adopted by Rachmaninoff, called there ‘Follia’, with 24 variations.
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The theme is not by Corelli! And what do we now call the child?
However, unlike what Rachmaninoff assumed, the Italian composer did not compose this theme. Around the same time there also developed a harmonic-melodic formula of the same name that, however, can no longer be linked to the wildness of the dance. It was very much in vogue in subsequent centuries, and — undergoing constant modification — was especially utilised as a theme for sets of variations.
Folia – Wikipedia
Rachmaninoff first learned that the theme did not come from Corelli through a concert review of his recital in Carnegie Hall on 7 November Corelli was and remained the inspirational source, and the caption title of Op. A recommendation to conclude, Vladimir Ashkenazy in this impressive recording!
Is anyone after that still interested in follia the work is now called Corelli Variations or La Folia Variations? Many thanks for the great article, I was searching for specifics such as this, visiting look into the folliz posts.
Corelli: La Folia and other Sonatas |
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Corelli, La Folia and Rachmaninoff’s Variations, Op. 42
Corelli “La Follia” theme. This entry was posted in Corelli Variations op. January 19, at November 16, at 8: Leave This Blank Too: Do Not Change This: Henle Publishers 26 genesis 10 harmonics 2 Instrumentation 1 measure numbering 2 new source 5 notation 27 ornamentation 3 pitch range 2 revision 7 rhythm 1 tempo 1 transcription 6 Urtext 46 variant reading 27 corellk Violin Concerto in a minor op.
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